Product: Arri Amira
IBC 2015: Arri Amira gets 4444 XQ, MPEG recording and optional control panel
Optitek Canon ProLock-i and Nikon Mounts for the Arri Amira & Alexa Mini put to the test
Looks, Picture Profiles , LUTs and Log – Why, when and how you should use them.
“EYLENDA”- A stunning 4K film captured on the Arri Amira and Canon 5D Mark III
Cinegear 2015: OptiTek lens mounts for Sony F5/55, Arri Alexa Mini and Amira
CML-UWE Camera Evaluation 2015: the Sony F65, RED Dragon, Arri Amira, Canon C500 and Panasonic Varicam 35 go head to head
NAB 2015: Wooden Camera Arri Alexa Mini and RED Weapon rigs, plus new Universal matte box
Is the Canon 17-120mm Cine Servo Zoom the ultimate all-in-one lens for large sensor cameras? Guest post by Ben Emery
Which cine camera produces the best image? Geoff Boyle has surprises in store
ARRI ALEXA MINI: Hands-on and Q&A with product designer Michael Jonas
Arri give Amira broadcast friendly MPEG-2 in camera recording, 4K Prores 4444 and a radio mic slot
IBC 2014 Teradek live show replay: ARRI’s Stephan Schenk talks AMIRA and shows EF lens mount
BIRTV 2014 video: Talking 4K and the Amira with ARRI’s Forest Liu
ARRI Amira (sort of) goes 4K – will be able to record UHD ProRes files internally
Cinema5D reviews the Arri Amira
Arri Amira – A wildlife camera operator’s view by Sophie Darlington
NAB 2014 Teradek live show replay: Update on the Arri Amira