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Video Assist iPad App gets a major update

The Video Assist iPad App that turns your iPad into a Pro HDMI and SDI Video Monitor has got a major update. New updates include useful features such as LUTs, Focus Peaking, False Color, Zebras, Compositing, and ProRes Recording.

VID

This is the biggest update ever to Video Assist, the video engine has been re-engineered to use Apple’s Metal Framework and the Recording Pipeline has been completely rebuilt. Other notable features include the Sidebar for Video Effects and Record Trigger for the Sony BURANO.

What’s new?

Compositing
Use images or videos as an overlay. Match shots, line up visual effects or preview a client logo.

LUTS
Apply 3D LUTs via the Color Correction Tool. Use LUT Mix to dial in the intensity. Supports .cube files.

Monitor Tools

Apply Focus Peaking, False Color and Zebras.

Input Calibration
Correct any color shifts that may be introduced by UVC Capture Cards. Applies to all video feeds within the app.

Pinch to Zoom
Easily inspect the live/playback video feed.

ProRes Recording

VideoAssist 01 Recording

The recording pipeline has been re-built from the ground up to support ProRes.

Use Case Scenarios

First and foremost, Video Assist works great as a Director’s Monitor, particularly with a 13″ iPad. Some DPs really like using it for their own personal playback and reference, and the delay is minimal.

Some 1st ACs are running it on their 13″ SmallHD Rig, they use HDMI Out of the monitor into an iPad Mini. The app has record trigger for ARRI, RED, Sony and Blackmagic. They find it helps to review takes independently or look up what WB/ASA they used on a particular scene 3 Days Ago when the DP asks.

A number of VTR Operators are taking advantage of the video-out capabilities and using it in lightweight, run and gun rigs. They can record from a Teradek Feed to the Video Assist App and then drive a Director/Client Monitor for live and playback via the iPad’s video out. Most of them describe the app as ‘QTAKE Mini for iPad’.

I’ve heard of some films giving it to their Script Supervisor, then the scripty has their own easy-to-use playback system for referencing previous shots. Obviously it depends on how tech savvy they are but it’s an interesting use case. Some Gaffers have found it useful too as a lighting reference.

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