By associate editor Elliot Smith:
Monitor manufacturer SmallHD have released a .zip package of several LUT files that recreate the look of big-budget films such as Apocalypse Now, Saving Private Ryan, The Matrix, and Moonrise Kingdom.
You’ll be able to apply the LUTs to your own footage, both in post and on-set if you have a monitor that supports applying a LUT to a flat Log-style input.
Handily, SmallHD’s own 501 and 502 monitors (with the latest firmware update applied) do just that…
And while ‘Saving Private Damon’ might not be quite the right look for your next project, there’s also a tutorial on getting started with LUTs in your workflow, which is bound to be useful if you haven’t yet read our technical editor’s epic post on the subject.
You have read it, haven’t you?
This from SmallHD:
SmallHD Gives Away Color Grades that Recreate Looks from Seven Iconic Films and Teaches You Exactly How to Use Them.
Cary, North Carolina: August 19, 2015 — SmallHD, known for groundbreaking, compact, Full HD on-camera monitors announces that they are giving away a free set of color grades that recreate the unique look of seven different iconic films, and are also publishing multiple video tutorials explaining how to get the most out of these looks during both production and post production—all 100% free of charge.
“Color grading will soon be critical to every shooter’s workflow,” says Wes Phillips, CEO. “We’re giving away this free pack of looks and color grading educational material to provide a fun entry point into the world of working with 3D LUTs.”
Provided in a small downloadable .zip file, the color grades come in the form of 3D LUT files (3D “lookup tables”) originally designed in DaVinci Resolve. Visually iconic films such as Apocalypse Now, Saving Private Ryan, The Matrix, and Moonrise Kingdom are among the seven free color grades.
Designed to help teach filmmakers who are not yet versed in the use of color grades, the tutorial video outlines the capabilities and advantages of applying LUTs or “looks” to footage during actual shoots. The tutorial is tailored for developing new looks on the popular free DaVinci Resolve color grading software. The video tutorials and 3D LUTs download are both available on the Community section of SmallHD’s website http://www.smallhd.com/community/movie-looks-download
Filmmakers have long known that recording flat or LOG video, with its low contrast image, offers great advantages to the post-production process by preserving as much data as possible. However, viewing this flat video can make it tricky to gauge color and exposure, and can make critical focus difficult. Further, looking at raw images can also be disconcerting for an on-site client, where the filmmakers have to constantly explain what the imagery “will look like in post.”
The solution is applying 3D LUTs to the video shown in the on-set monitor, without altering the footage recorded from the camera itself. 3D LUTs are pre-defined profiles applied to the monitoring of a camera to give a representation of a corrected image or an image with a specific gamma curve. Creating a custom LUT is a step further. It can be an on-set tool providing a representation of the final desired image.
SmallHD offers seven different 3D LUTs, each emulating the look of a popular motion picture. As a starting point, a shooter or DIT readying for a specific location can apply one of these looks to test footage from the location using the DaVinci color grading software. That look can then be modified so the test footage has just the look desired when it is out of post-production. SmallHD clearly explains the process, step by step.
Displaying the on-set video with the look applied is made simple with SmallHD’s newest firmware upgrade to its 500 Series five-inch Full HD monitors. The firmware upgrade enables the monitor’s output to carry the LUT information to other monitors on-set. This feature will be resident in future monitors developed by SmallHD and likely other manufacturers will follow suit.
